Currently in my head: That sick slap bass riff in Animotion's Obsession: https://youtu.be/88H0PfTp9Hg?t=75
birdsite, gg bullshit
The Escapist, which said late last year "HEY, WE'RE LEAVING POLITICS AT THE DOOR" decided to abandon that strategy in lieu of writing an article about "ethics in games journalism" that mentions Gamergate.
Bonus, Zoe Quinn herself went off on the site and Russ Pitts, the EIC basically doubled down on excuses until he eventually corncobbed.
It's almost noon here and I want to go back to sleep
Shoutout to @Xkeeper for referring to terrible people as clowns.
It works oddly well.
I was watching some speedrun of bad games and they played Savage on the Amiga, which probably has the most amazing soundtrack I've heard on that system: https://www.youtube.com/watch?v=cHU3wqJjwNQ
@TonicBH I had a conversation a few months back w/ someone who was lamenting the addition of Funky Kong to the Switch port of Tropical Freeze for this reason. By his estimation, Nintendo was dumbing down & ruining the game with its addition.
I made the point that optional accessibility options didn't hurt anyone, don't disrupt anything, and were vitally useful to people who may simply be physically incapable of playing them any other way.
His response was that not all games are for everyone :|
I know there's a group of gamers who love that sort of "Nintendo hard" challenge but to be honest I want that to stay in the past.
Making games accessible and fun is better than catering to a niche of tryhards who think I Wanna Be The Guy is the pinnacle of challenge.
(aka tonya)
38/pan/trans. she/they.
writes about dumb junk about video games and music sometimes.
your kitty friend. may also be bnuuy or yote depending on mood.